dcu

all about digital content

April, 2009

BBC launches HD iPlayer

bbc
(cc) by-nd Tim Loudon/flickr

Big news (geddit?) as BBC releases new version of iPlayer, including programming in HD resolutions for the first time. The new service, available both as a streaming version and with the out-of-beta Adobe Air-based download version, allows (some) programming to be watched online in HD for the first time. For many viewers this will be the first opportunity to see BBC programming in the larger format. Though beware, your mileage may vary as HD video can be very processor and graphics-card intensive, so you might not have a computer - let alone a fast enough connection - to take full advantage.

It just shows how far internet video has come, that it has caught up with the latest broadcast technology - and hints to a future where you'll go online for the highest quality, and over-the-air broadcast will be the fallback for the last generation of viewing. Internet-enabled televisions to the ready!

ISBA backs Project Canvas

canvas
(cc) by-nd henrybloomfield/flickr

ISBA, which represents the interests of the British advertising industry, has thrown its weight behind Project Canvas, the 'son-of-Kangaroo' next-gen Freeview boxes that will allow full video-on-demand and some interactivity. Essentially, they appear to believe that a commercial alternative is necessary to prevent the BBC's iPlayer becoming the only game in town for VOD (read: no advertising!). Whilst the BBC will be involved in the project, being a significant driver, (likely especially from the technology and development side), the project is a joint venture between them, ITV and BT (through its Vision department).

The concept still has to go through a review by the BBC Trust, and there's still the very real possibility of a Competition Commission review which will ask many of the same questions as they did about Project Kangaroo, so it's early days - but if it gets the go ahead the timeline is pretty quick, with an early 2010 launch posited.

Stephen Fry lays into Digital Britain report

stephen fry
(cc) by vpjayant/flickr

Everyone's favourite Twitterer Stephen Fry has laid into the Digital Britain report, according to Broadcast, questioning why anyone would need to be taught how to use the internet when we're all getting along just fine, thank you very much. He is right, of course (should that be 'as usual'?), and is to be commended for asking just what problem the report was supposed to be providing a solution to - especially in light of recent reports that even Lord Carter admits it doesn't touch on consumer issues. Which begs the question - if it's not about consumer issues, what is it about?

Animated call to arms for entrepreneurs-in-waiting

animation
(cc) by-sa swanksalot/flickr

Check out Lateral Action, a great new web-online animated series that intends to be a virtual call-to-arms for the budding entrepreneur inside of everyone. Following Jack, who wants out of his boring job by taking the plunge into a brand new venture, Lou, his odious colleague without creative ideas but with an MBA which he thinks qualifies him to boss everyone around, and Marla, who makes lots of money without much effort.

With great visuals and an ongoing storyline it's a little off-beat, but it will be interesting to see where it goes. Take a look and let me know your thoughts!

Follow us on Twitter

twitter
(cc) by carrotcreative/flickr

I've had a couple of people asking whether you can get your Digital Content UK goodness piped straight into your Twitter account. The answer, of course, is a resolute YES! Just point your browser to http://twitter.com/digitalcontent and click 'follow' to get every update as soon as it comes in.

I'd also love to hear of any recommendations for accounts I should be following - so drop me a line if you have a suggestion.

Sofia's Diary in the spotlight as Bebo pushes for third series

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(cc) by-sa kirinqueen/flickr

As Bebo is looking to put in place advertisers for a third series of successful cross-platform youth drama Sofia's Diary, NMA has a great profile of the show. The series, which was launched on Bebo, a social network trying to push beyond its successes in the UK, Eire and with younger users, was even picked up by Five for its digital channel Fiver.

Universal teams up with YouTube to create Vevo music service

music
(cc) by shankar, shiv/flickr

Universal and YouTube have announced the creation of a joint music video site, apparently called 'Vevo'. After the Google subsidiary's recent trouble with music collection body PRS and their announcement that they're losing money fast this comes against an interesting backdrop.

What isn't entirely clear is what either of the parties gets out of the deal.

YouTube losing money - fast!

youtube
(cc) by jonsson/flickr

If you were wondering what the recent spat between YouTube and the UK music industry association PRS was all about, look no further than the announcement today from Google about how much money YouTube is losing. Hint: it isn't a small number!

On earnings of $240m, they've managed to lose $460m by spending a whooping $700m in costs. Possibly the strangest part of the sums is that they put $360m down to bandwidth expenses. We know that streaming video is mighty expensive, and that YouTube foots the bill for anyone and everyone to share footage of their cats doing somersaults, whilst making money from advertising on a tiny fraction of their content.

But the big question in my mind is how they managed to spend the other $360m? The relatively minor updates they've made can hardly account for this in development costs. Not can I imagine advertising the service or junkets for the press or potential partners could rack up this bill. It's possible they (notionally) charge internally for placements on Google's other pages, so they've racked up a whopping advertising bill, but only from one part of the massive conglomerate to another.

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Disney argues for open web tv access

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(cc) by-sa Benjamin Thompson/flickr

Open access to online TV viewing just got a supporter from the strangest source: Disney. Why do I say the strangest source? Well, Disney are famous for their keen (read: 'obsessive') protection of their brand and product - some even blame the cuddly corporation for the continuous extension of copyright time periods (which mysteriously always manage to keep Mickey Mouse just inside the protected schedule). They've also got a strong incentive to divide and conquer - keeping their brand at the centre of the user experience, rather than co-operating and working with other providers.

The article from C21 does make clear that CEO Bob Iger is being fairly specific, arguing against forcing viewers to have a cable subscription before they can view video content online. Much like UK viewers all being able to watch the BBC iPlayer whether or not they have a TV Licence (though this may well change - stay tuned for more on that), Iger is arguing that online is a 'new place', not simply an extension of traditional cable TV. He's certainly not arguing for international barriers to be torn down as many would advocate, or for content to be available for free.